A lot of things to cover this week. Our millenial checks in with Gen Z on their feelings about possibly losing Tik Tok. The generations then have some fun creating album rosters from their era to compete in March Madness. Gen Z then checks in with the millenial on their feelings about the latest doc series Quiet On the Set.

Aug. 15, 2018 | Felix Contreras -- Some folks around the NPR Music office said they felt an almost spiritual connection to Erykah Badu during her visit to the Tiny Desk. And that was before she and her band even played a single note. It came from the waft of earthly scents that followed in her wake, to the flowing dreads and clothes that hung on her like robes.

After her self-introduction, which included a rundown of her spiritual and creative aliases, Badu rolled into one of her earliest musical calling cards, "Rimshot." It's an ode to the sound the percussionist makes when a drumstick is struck against the metal edge of the snare drum. On this performance, as on her 1997 album Baduizm, it becomes a device to play with time — stretching it, stopping it, suspending it. Propelled by jazz chords on the piano and the steady pulse of the acoustic bass, the playful performance unfolded in the tradition of the best bebop.

But the panoramic song "Green Eyes" is the centerpiece of Badu's Tiny Desk performance. It's wide-ranging in scope and musical arrangement and brilliantly executed by the jazz and hip-hop musicians in her backing band. The story of heartbreak is striking enough, but her interpretation showcases her formidable vocal skills. By the time it was over, we were all just as emotionally and spiritually spent as she was from the experience.

Erykah Badu is an artist for the ages. To old-school jazz fans like myself, names like Nina Simone, Betty Carter and Shirley Horn come to mind as much as Billie Holiday because of Badu's singular approach to a lyric. They all cut their own creative path and left behind a legacy that you can identify with just one note. Erykah Badu is on that same path, and one day her name will be mentioned along with the other Elders who share her spirit of musical adventure.

Set List
"Rimshot"
"Green Eyes"

Musicians
Erykah Badu (lead vocals), RC Williams (Keys), Braylon Lacy (bass), Cleon Edwards (Drums), Frank Moka (Percussion), Kenneth Whalum (Sax), Keyon Harrold (Trumpet), Dwayne Kerr (Flute)

Credits
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Maia Stern, Kara Frame, Khun Minn Ohn, CJ Riculan; Production Assistants: Catherine Zhang, Téa Mottolese; Photo: Morgan Noelle Smith/NPR.

The Noon features Maurielle Lue and Lee Thomas talking about the news that matters most to the city of Detroit. From pop culture to movies to big local and national news. We're talking about it all.

Beyonce Renaissance concert in Atlanta, GA

DATE: August 11, 2023

#beyonce #beyoncerenaissance #blueivy

This year, NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts — both from home and from behind our beloved Desk. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent.

Bobby Carter | June 30, 2022
"We celebrate Black Music Month. This has been Black magic." Truer words may have never been spoken behind the Tiny Desk as R&B goliath Usher caps off our month-long celebration of Black music, highlighting a catalog chock-full of hits spanning 25 years. It's been over two years since NPR headquarters was abuzz with chatter of a legend in the building. After an early morning rehearsal for his set at the Something in the Water Festival in Washington, D.C., he made his way over to deliver an unforgettable performance.

Usher and his band, all dipped in black, set it off with an introduction over a funky horn-laced instrumental reminiscent of a Blaxploitation flick. They keep that groove going right into a reworked version of his 1997 breakout single, "You Make Me Wanna..." Twenty-five years later, Usher sits arguably as the king of R&B. Between 2000 and 2010, there was no debate whatsoever, with his string of records that included the biggest R&B album of the 21st century, Confessions.

What he's done in the vocal booth is only half of his claim to fame. The stage is where he's continued to shine as he prepares for the second leg of his Las Vegas residency. This loose and playful set touches on his many career phases; the crooning, the deeply personal, the club bangers and even the Tik Tok challenges indicate that he could just be reaching his prime. Recently, we've heard plenty of hot takes, wild battles and social media fodder about who sits at the mountaintop in the world of R&B. Usher Raymond has entered the chat.

SET LIST
"You Make Me Wanna..."
"Superstar"
"U Don't Have to Call"
"Nice & Slow"
"Confessions Part II"
"My Way"

MUSICIANS
Usher: vocals
Eric Bellinger: vocals
Vedo: vocals
Dmitry Gorodetsky: bass
Lemar Guillary: trombone
Brandyn Phillips: trumpet
Jay Flat: saxophone
Darek Cobbs: keys
Erick Walls: guitar
Ryan Carr: drums

TINY DESK TEAM
Producer: Bobby Carter
Audio Recording & Mix Engineer: Josh Rogosin
Director: Kara Frame
Editor: Michael Zamora
Series Creator: Bob Boilen
Videographers: Kara Frame, Joshua Bryant, Michael Zamora, Pierre Kattar, Alanté Serene
Production Assistant: Ashley Pointer
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Jill Britton, Joby Tanseco, Maia Stern
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#tinydesk #usher #BMM

Back in the day the start of fall was something special, no not because school was starting again, Fall meant the return of your favorite TV show. Nowadays new shows are dropping every day and nobody knows what its truly "good" anymore.

The generations discuss this state of entertainment currently and then get into a generational battle around their favorite networks.

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Starting things off our millennial experienced some Christmas commercialism over the weekend and its just not sitting right in his spirit.

Even though they want generational defining songs Gen Z is already tired of "Not Like Us" even though the song appears to have a long life ahead of it. The generations close out black music month around how some artist fanbases seem to be complaining about their favs not achieving the success they feel is due with their releases.

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@jclark787
@therealxavianlewis