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Ambré: Tiny Desk Concert
Ambré: Tiny Desk Concert NoirTube Music 43 Views • 2 years ago

NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent.

Ashley Pointer | June 20, 2023
"I had to represent for New Orleans, ya heard me?" Ambré says nearly midway through her Tiny Desk concert before turning to show the back of her spray-painted t-shirt, revealing a classic photo of rapper Juvenile from his Cash Money era.

Everything Ambré does is intricately detailed, intentional and unapologetically New Orleans. The singer-songwriter, producer and multi-instrumentalist creates music that's psychedelic, soulful and takes you on a journey. With her band decked out in Dickies fits and surrounded by magnolias, the rising star invites us into her world for a performance that pays homage to the culture of her hometown and its legends.

Accompanied by a dynamic band composed mostly of Tiny Desk alums, Ambré sets the tone with "3 Peat," from her sophomore EP 3000º. The EP is a salute to NOLA's finest — Lil Wayne and Juvenile, who'll be closing out our Black Music Month celebration. She then smoothly transitions into "Wild Life..." a love letter to the 504 before hitting "plenty" and "band practice" from her debut EP Pulp.

It was only right that she closed out the show with "I'm Baby," perhaps her most beloved track and her first No. 1 entry on the Billboard R&B charts. The recording of this performance couldn't have come at a better time — she found out she was nominated for the BET Awards for Best New Artist right after the shoot, all while gearing up to release her follow-up EP who's loving you?, which is out now. If this Tiny Desk happens to be your introduction to Ambré, be prepared to be enraptured.

SET LIST
"3 Peat"
"Wild Life..."
"plenty"
"band practice"
"AMBRÉ'S INTERLUDE"
"I'm Baby"

MUSICIANS
Ambré: vocals, guitar
Deshaun Allen: music director, drums
Devin Smith: keys
Tim Ramsay: bass
Justus West: guitar
Astyn Turrentine: vocals
Viane Escobar: vocals

TINY DESK TEAM
Producer: Ashley Pointer
Director/Editor: Maia Stern
Audio Engineer: Josh Rogosin
Creative Director: Bob Boilen
Series Producer: Bobby Carter
Videographers: Maia Stern, Joshua Bryant, Kara Frame, Alanté Serene
Audio Assistant: Hannah Gluvna
Photographer: Zayrha Rodriguez
Tiny Desk Team: Suraya Mohamed, Hazel Cills, Sofia Seidel
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#ambre #nprmusic #tinydesk

Carter G. Woodson Did Not Create Black History Month | Dane Calloway
Carter G. Woodson Did Not Create Black History Month | Dane Calloway NoirPlus+ CHANNEL ONE 38 Views • 2 years ago

This video is about Dane Calloway and his wife, Taneisha Calloway, speaking about the truth concerning the real story behind the creation of Black History Month and how it was purposely told to us in reverse.

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Dane Calloway stands as a beacon of enlightenment in the realm of education, a revered historian, and an unorthodox researcher with over 15 years of impeccable experience. His journey through the corridors of knowledge has illuminated the hidden recesses of history, unearthing untold stories and revealing concealed truths in various domains, including American Indian history, World history, African-American history, American history, case studies, and investigative journalism. Dane Calloway embarked on a lifelong quest to challenge the status quo and shine a light on the obscured aspects of our collective past. His mission to provoke thought and inspire critical thinking has made him a revered figure in the world of education.

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Marijuana Moved From Schedule 1 To Schedule 3 Drug | The Kyle Kulinski Show
Marijuana Moved From Schedule 1 To Schedule 3 Drug | The Kyle Kulinski Show NoirPlus+ CHANNEL ONE 21 Views • 2 years ago

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"The first time I ever really listened to Kyle Kulinski’s show was in the back of a cab last summer. The driver had his phone hooked up through the stereo and was pumping out an episode through the car speakers — loudly, as if looking to convert a captive audience.

“Do you like Kyle Kulinski?”

The driver, Ahmed, was a recent immigrant and apparently a die-hard fan of Secular Talk, the political talk show that Kulinski broadcasts on YouTube. I told him, yes, in fact. I do like Kulinski, had come across his show several years ago, and, all things considered, he seemed pretty good.

“He understands what we’re up against,” Ahmed said. “Like Bernie.”

But I was surprised to hear Kulinski’s name mentioned in the same breath as Bernie Sanders, particularly with such adoration. Because what I did remember about Kulinski’s show struck me as mostly capital-P “progressive” takes on the news — the left wing of the Netroots crowd more than the democratic socialism Sanders has popularized.

It’s an impression that wasn’t entirely incorrect.

“I have no time for philosophical, airy bullshit,” Kulinski tells me from his home in Westchester, New York. “I don’t want to hear about Lenin. I don’t want to hear about Marx. I just want a super plainspoken, straightforward agenda with a straightforward way of selling it.”

With over 800,000 subscribers and nearly 670 million total views on YouTube, selling a progressive agenda is clearly something Kulinski knows how to do — even Democracy Now, the long-standing flagship of progressive media, cannot match his reach on the platform. Chapo Trap House can certainly boast a wildly devoted fan base (and a not insignificant degree of media influence), but their audience is roughly half the size of Kulinski’s.

While Secular Talk might be more likely to be looped in with the progressive networks around Air America and Pacifica alums like Sam Seder than the more resolutely socialist world, Kulinski’s fiery rhetoric, razor-sharp class instincts, and knack for withering takedowns sets him apart from his peers. Judging by his rhetoric alone, he’s closer to a Eugene Debs than a Chris Hayes.

But unlike Hayes, Amy Goodman, or his friend Cenk Uygur of The Young Turks — who began airing Secular Talk on his web network seven years ago — the thirty-two-year-old Kulinski is virtually invisible in the mainstream media. Despite his enormous fan base, his show has never once been mentioned in the obligatory trend pieces on “the Millennial Left” pumped out by the prestige media. Nor has Kulinski’s name ever popped up at all in the New York Times, Vox, the New Yorker, New York Magazine, or the Washington Post, despite his leading role in cofounding Justice Democrats, the organization widely credited with sweeping Alexandria Ocasio-Cortez and the rest of “the Squad” to power.

Just last week, his Wikipedia page was deleted. The reason? “There is very simply no [reliable source] coverage of this person,” according to one moderator. In new media, he’s king — the Sean Hannity of the Berniecrat left. In old media, he’s nobody.

I suspect there are a few reasons for that. There is nothing “cool” about Kulinski’s show. (As a friend put it, “‘Welcome to Secular Talk’ sounds like something you’d hear on Egyptian radio.”) His no-nonsense social-democratic politics won’t get him much cred with the Full Communism crowd. He records his show not in Brooklyn or Los Angeles, but in a studio he built himself in his modest Westchester home. His hair is too groomed and his taste in clothes too preppy to qualify as “Dirtbag Left.” Nor has he ever attended an n+1 release party. “Not only have I not attended one,” he says, “I have no idea what that means.”

And yet he’s astonishingly plugged-in for a young man in the suburbs. Wondering how Sanders ended up on the Joe Rogan Experience? Kulinski, a frequent guest on Rogan’s wildly popular show, introduced them. “You make the most sense to me,” Rogan told Kulinski on a recent episode. “You’re a normal person.”

Much like Sanders himself, Kulinski’s show has a massive audience that just doesn’t compute with our media’s understanding of “what the kids want” or even “what the left-wing kids want.”

It’s probably for the best — the very woke and very WASP-ish decorum haunting much of the media world is nowhere to be found in Secular Talk. “Corporate Democrats over-focus on identity as a trick to divert you from the issues that unite us all — class issues,” he said on a recent episode.

Read More Here!:
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#KyleKulinski #SecularTalk #news #politics #youtube #biden #economics #left #progressive #viral

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