This is AmeriKKKa is a daily news show for the Black collective, chronicling daily news, centering Black stories and summarizing politics. Live from the Unmuted Newsroom studios in New York and Atlanta and hosted by Alex Haynes and Tiffanie Lanelle.

This performance was recorded on Feb. 12, 2020. We will continue releasing Tiny Desk videos of shows that had already been taped. In light of current events, NPR is postponing new live tapings of Tiny Desk Concerts. In the meantime, check out Tiny Desk (home) concerts! They’re recorded by the artists in their home. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.

June 17, 2020 | Abby O'Neill -- On a brisk February morning, Alicia Keys, full of effervescence, entered NPR through the loading dock wearing a canary yellow faux fur coat. During our ride to the fourth floor, she joked about how she hadn't been invited to play at the Tiny Desk. That, of course, wasn't exactly true. We worked on and off for years to make this moment happen, and I can say wholeheartedly that it was worth the wait.

Alicia Keys has an aura that you can sense the second she enters a room, or in my case, an elevator. She radiates compassion and kindness. This spirit is the key to Keys's songwriting, which is rooted in introspection and mindfulness.

As she approached her piano, a bit surprised at the amount of people in the room, she smiled and remarked over her shoulder, "Gee, the Tiny Desk is tiny!" She kicked off the set with an uncanny ode to combat the darkness of this moment in American history: "Show Me Love," a single she released in 2019. No one could have predicted then how much her lyrics and musical healing would be crucial during this emotionally fraught time of unprecedented political and racial unrest, heightened by three months of quarantine due to a global pandemic.

The stand-out moment during her Tiny Desk was the premiere of "Gramercy Park", a song from her upcoming self-titled album, ALICIA, which is set to be released this fall. It's one of those timeless songs that will transcend radio formats and genres, with lyrics that address how utter selflessness and worrying about making everyone happy but yourself can throw your own center askew. The song's spiritual refrain is sure to be a sing-along moment for the rest of Keys's career.

She told the crowd after "Gramercy Park" that she's struggled with appeasing people her whole life, but she's trying harder now to set boundaries. Luckily for the Tiny Desk audience, that resolution didn't pertain to this concert. After wrapping up what was to be a three-song set with her latest single "Underdog," which you may have seen her perform at this year's Grammys, the crowd begged for an encore. After crowdsourcing suggestions, she and her band delivered a riveting rendition of Keys's breakout 2001 single, "Fallin'."

The world, now more than ever, needs more love, reflection and accountability – a mantra that's woven into every fiber of Alicia Keys's being and every lyric of her songs.

SET LIST
"Show Me Love"
"Gramercy Park"
"Underdog"
"Fallin'"

MUSICIANS
Alicia Keys: vocals, piano; RAII & Whitney: vocals; Ant Parrish: bass; Curt Chambers: guitar; Mike Reid: drums; Omar Edwards: keys.

CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith, Kara Frame; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, Natasha Branch; Videographers: Kara Frame, Maia Stern, Melany Rochester, Shanti Hands; Editor: Maia Stern; Associate Producer: Bobby Carter; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Kisha Ravi/NPR

Suraya Mohamed | March 20, 2023

It was a bit of a tight fit, getting the choir, horns and full rhythm section properly situated behind the center nook of the Desk where Tye Tribbett would eventually stand. As the band warmed up, there was concern that his voice might not carry over the fullness of the talented ensemble. During the rehearsal, he stood nearby, directing music cues, occasionally taking a moment to make “grrrr” vocalizations as the band adjusted to bring the loudness down. They quickly found just the right level and when Tribbett moved into place for sound check, his lead vocal both blended into and soared above the magnificence of the band’s high energy praise music.

Even before the production crew pushed their record buttons, an excitement filled the air. As the first song developed, the intensity rose to an even higher level, setting the tone for an emotional, spiritual experience. Musical excellence was abundant as the singers lifted their voices with precise intonation, and Tribbetts’ vigor was infectious. The complex instrumental arrangements included jazzy licks and funky beats that drove spontaneous but smooth transitions in and out of six inspiring songs.

Before the last tune, the encouraging “Be Alright,” Tribbett exclaimed, “There is hope! You’re never hopeless. I know your world gets dark and you feel all by yourself. You think nobody sees you but God sees you and not only does he see you but he’s been with you the whole time.”

SET LIST
“No Way”
“Get Up”
“Victory”
“Everything”
“He Turned It”
“Be Alright”

MUSICIANS
Tye Tribbett: vocals
Joseph Bethea: keys
Brandon Jones: keys
Thaddaeus Tribbett: bass
George "Spanky" McCurdy: drums
Jabari Johnson: guitar
Kevin Woods: trumpet
Joseph Streater: trumpet
Frank Rein: trombone
Jalisa Faye: vocals
Jewell Jones: vocals
Jocelyn Bowman: vocals
Sharon Ann: vocals
Billy Crayton Jr.: vocals
Brandon Edwards: vocals


TINY DESK TEAM
Producer: Bobby Carter
Director/Editor: Kara Frame
Audio Engineer: Neil Tevault
Audio Mix: Josh Rogosin
Creative Director: Bob Boilen
Videographers: Kara Frame, Joshua Bryant, Sofia Seidel, Maia Stern
Audio Assistant: Josephine Nyounai
Production Assistants: Jill Britton, Ashley Pointer
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Pilar Galván
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#tinydesk nydesk #nprmusic #tyetribbett

NPR Music's Tiny Desk series will celebrate Black History Month by featuring four weeks of Tiny Desk (home) concerts and playlists by Black artists spanning different genres and generations each week. The lineup includes both emerging and established artists who will be performing a Tiny Desk concert for the first time. This celebration highlights the beautiful cornucopia of Black music and our special way of presenting it. We hope you enjoy.

Sidney Madden | February 9, 2021
"Just bear with me while I just enjoy this and soak in it," GIVĒON admits with a laugh. Switching between the demeanors of a seasoned, nonchalant crooner and a giddy-grinned newbie, the fast-rising R&B star makes a point to show his humility during his long-awaited debut at Tiny Desk.

Accompanied by a minimal, masked-up band and only one background vocalist (a fellow Pisces at that), the baby-face baritone fills the set with resonance and light. He radiates gratitude with every note. Against a blue, moody backsplash of projected music video stills, GIVĒON notes the divine timing of this performance. "Any moment to do this would be special," he says between songs, "but I think Black History Month ... just celebrating Black culture for this month, I'm really excited to get to do this on this platform."

Through the throes of the pandemic, GIVĒON has remained remarkably busy. In a span of eight months, the Long Beach, Calif. newcomer has released two solid EPs, the Grammy-nominated Take Time and When It's All Said And Done. (The latter included one of our favorite songs of 2020, "Still Your Best.") For his Tiny Desk (home) concert, he borrows from each project to arrange a tantalizing 14-minute sampler — showing off just enough to get you to do your Googles and discover more.

Much like the moment he's trying to savor, GIVĒON's strength as a singer-songwriter is his ability to make his listener feel suspended in time. As fans quickly discovered on his breakthrough "Chicago Freestyle" feature last year, the peaks and valleys of GIVĒON's tone and the satisfying patterns of his runs don't just serenade; They immerse, they engulf. GIVĒON's star rising during a time of such sustained uncertainty is no accident, either. Between vulnerable storytelling and clear vocals, GIVĒON's work provides so many with what they're craving right now: intimacy and consistency.

SET LIST
"THE BEACH"
"LIKE I WANT YOU"
"Stuck On You"

MUSICIANS
GIVĒON: vocals
Deondre Ellis: keys
Ivan Chatman: bass
Andre Montgomery: drums
James Murray: guitar
RaVaughn Brown: vocals

CREDITS
Video: Jan Lim, Mitchell Schultz, Will Houlihan
Producer: Zack Warren
Director: Eric Longden
Audio: Jeremy Gray, Reggie Jones, Al Richardson

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Maia Stern
Audio Mastering: Josh Rogosin
Art Director: CJ Riculan
Tiny Production Team: Bob Boilen, Kara Frame, Morgan Noelle Smith
Executive Producer: Lauren Onkey
Senior VP, Programming: Anya Grundmann

NPR Music's Tiny Desk series will celebrate Black History Month with Tiny Desk (home) concerts featuring legends in the world of R&B, jazz, gospel, and hip-hop. Each artist in this legacy lineup has helped to define Black music as we know it and will be performing a Tiny Desk concert for the first time.

Mitra I. Arthur | February 25, 2022
During a moment of testimony in her Tiny Desk (home) Concert, Pastor Shirley Caesar declares, "I'm beginning to feel something moving on the inside." It is impossible to witness a performance from the "First Lady of Gospel Music" and there not be a moment where the spirit moves her to dance, punctuated — in true gospel fashion — by a band led by her longtime organist and music director, Michael Mathis.

As one of the most iconic figures in traditional gospel music, Pastor Shirley Caesar has amassed 18 Dove Awards, 14 Stellar Awards, 11 Grammys in addition to a Lifetime Achievement Award, and an induction into the Gospel Music Hall of Fame. During her seven decades-long career, she has collaborated with fellow traditional gospel figures including Inez Andrews, Dorothy Norwood, Dottie Peoples, Milton Brunson, and her mentor Albertina Walker, as well as contemporary artists such as Kirk Franklin, Whitney Houston, Patti LaBelle, Anthony Hamilton, J. Moss and Tye Tribbett.

Pastor Caesar recently became familiar to those outside of the gospel sphere when an excerpt of her song "Hold My Mule" went viral in 2016, shooting the song to the top of Billboard's Hot Gospel Songs chart. For those hoping to hear "I got beans, greens, potatoes, tomatoes..." be sure to stick around to the very end of this Tiny Desk — Pastor Caesar has a treat for you.

With a vast discography, this set offers just a brief sampling of Pastor Caesar's music ministry, including 2016's "It's Alright, It's Ok," the 1989 classic "I Remember Mama," the charged "Armor of God" and "Take Your Knee Off My Neck," Pastor Caesar's response to the death of George Floyd at the hands of a Minneapolis police officer.

SET LIST
"It's Alright, It's Ok"
"I Remember Mama"
"Armor Of God"
"Take Your Knee Off My Neck"

MUSICIANS
Shirley Caesar: vocals
Michael Mathis: musical director, organ
Criss Johnson: guitar
Willie Riddick: bass
Aaron Meadows: drums
Ryan McCorkle: keys
Lisa Powell: vocals
Donald Gore: vocals
Avery Evans: vocals

CREDITS
Producers: Michael Mathis, Jonathan Anderson
Video Production: Benton L. Aladdin for TAG Studios
Camera Operators: Horace Hall, Nyla Carter, Rayshon DeLoach
Audio Engineers: Emmanuel Aluko, Reprondre DeLoach
Production Assistants: Quaford Coleman, Cherie Clinton
Executive Producers: Shirley Caesar, Carolyn Sanders

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Joshua Bryant
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Bobby Carter, Kara Frame, Maia Stern, Ashley Pointer
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

This year, NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts — both from home and from behind our beloved Desk. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent.

Ashley Pointer | June 22, 2022
Hearing Ravyn Lenae’s voice resonate from behind the Tiny Desk for one of our first concerts back in the building had me entranced. With her voice raw and unamplified, Lenae and her dynamic band transformed our office into a funky, futuristic space where she was completely in her element.

Hailing from Chicago, Lenae dropped her first EP, Moon Shoes, in 2015. Since then, she’s released two more EPs, her sound permeating the world of contemporary R&B and blurring the lines between soul, funk and R&B. This year Lenae reemerged with the release of her debut full length, HYPNOS, already shaping up to be one of the best albums of 2022.

Her Tiny Desk concert commences with three songs off HYPNOS. Opening with “Venom,” an electro-funk song that seethes, Lenae sings: “Why do you play me for a fool?” Her signature falsetto descends over spacey synth melodies while her drummer keeps an insistent, metallicy groove. Then Lenae performs perhaps the most vulnerable songs from her new album, including “Skin Tight,” a melancholic guitar-led ballad that addresses a past romantic relationship and the energy that was once shared, and “Inside Out,” a love letter to herself that channels a ’90s R&B sound with dramatic piano harmonies, a soulful lead melody and dynamic drums.

“I think it’s a lifelong journey, learning to love yourself and trust yourself, and believe in the skin you’re in,” Lenae says of “Inside Out.” “I wrote this song when I wasn’t so sure… that’s why we sing it together.” With a fiercely energetic upsweep, she closes the show with her hit “Sticky.” As she slides into those distinct shrilling oohs, I can’t help but sing along to her catchy hook — all while realizing that only Lenae can do it quite like that.

SET LIST
“Venom”
“Skin Tight”
“Inside Out”
“Sticky”

MUSICIANS
Ravyn Lenae: vocals
Marcus Reddick: bass
Danielle “Dee” Thompson: drums
Harrison “Achee” Hawkins: keys/MD
Garrett Jones: guitar
Aja Grant: vocals
Phylicia Hill: vocals

TINY DESK TEAM
Producer: Bobby Carter
Audio Recording & Mix Engineer: Josh Rogosin
Director/Editor: Kara Frame
Series Creator: Bob Boilen
Videographers: Kara Frame, Josh Bryant, Michael Zamora, Pierre Kattar
Production Assistant: Ashley Pointer
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Jill Britton, Joby Tanseco, Maia Stern
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann


#NPRMusic #TinyDesk #RavynLenae

This year, NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts — both from home and from behind our beloved Desk. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent.

Ashley Pointer | June 29, 2022
After taking a sip of his tea towards the end of his six-song set, Denzel Curry turns to his band and exclaims: “We lowkey breezed through this b****! That’s great for two rehearsals!”

From the moment Curry and his people stepped foot into NPR headquarters to record their Tiny Desk concert, the vibes were right. With a 10-piece configuration — consisting of drums, bass, keys, guitar, horns and percussion — the rapper put on a flawless and inspired live performance of songs off his latest LP as well as some of his biggest hits, all freshly arranged for the Tiny Desk.

Over the course of a decade, Curry has released a number of albums and EPs, becoming one of the most versatile emcees in hip-hop today. His sixth studio album, Melt My Eyez See Your Future, marked a new artistic beginning for him: infusing neo-soul, jazz and traditional hip-hop influences into the album, with less “rah” and more mature introspection. Throughout this concert, you get a little bit of both.

Curry and the Cold-Blooded Soul Band open their set with “Melt Session #1,” a feel-good neo-soul groove where Curry’s introspective lyrics flow beautifully, taking center stage. Then kicking it up a notch, Curry performs “Walkin” and “Troubles” with an assist from DJ POSHtronaut, employing some serious bounce complimented by catchy horn lines. In the second half of his set, Curry takes us back with “DIET_.” Evoking instant head-bops as bass and drums smoothly lock in, Curry charms our audience with his improvised rhymes and exuberant personality.

As Curry and the band closed out the concert going absolutely bonkers with “RICKY,” I could feel how light the room had gotten as everyone in the audience fed off Curry’s infectious energy fueled by distorted guitar and bass and punchy horns. “You know I killed that s***. You know I murked that s***!” Yes, Denzel Curry. Yes you did.

SET LIST
“Melt Session #1”
“Walkin”
“Troubles”
“DIET_”
“CLOUT COBAIN | CLOUT CO13A1N”
“RICKY”

MUSICIANS
Denzel Curry: vocals
DJ POSHtronaut: vocals
Marcus Paul: trumpet
Brandyn Phillips: trumpet
Tim McKay: saxophone/flute
Alex Csillag: trombone
Brian Gazo: percussion
Brian Patterson: drums
Jay Winfield: keys
Jack Siegel: guitar
David McKinzie: bass


TINY DESK TEAM
Producer: Bobby Carter
Audio Recording & Mix Engineer: Josh Rogosin
Director: Joshua Bryant
Editor: Kara Frame
Series Creator: Bob Boilen
Videographers: Kara Frame, Joshua Bryant, Michael Zamora, Pierre Kattar, Alanté Serene
Production Assistant: Ashley Pointer
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Jill Britton, Maia Stern
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#tinydesk #BMM #denzelcurry

Feb. 21, 2018 | Abby O'Neill -- August Greene, the collaborative effort of Common, Robert Glasper and Karriem Riggins, was born at the White House in 2016 during a special Tiny Desk concert. It was during that unprecedented performance that the then-untitled ensemble premiered the powerful "Letter to the Free," an original song for Ava DuVernay's Netflix documentary 13th that eventually won an Emmy for Outstanding Original Music and Lyrics.

For the trio's first visit to NPR headquarters, they brought some special guests: vocalists Brandy, Maimouna Youssef and Andra Day. The band performed four tracks from its upcoming self-titled album (out March 9 on Amazon Music), an impromptu freestyle, and Day's Oscar-nominated collaboration with Common, "Stand Up For Something," from the film Marshall. Common described the theme of the Tiny Desk as "Foregrounding Women," alluding to the attendance of Brandy, Day and Youssef, as well as the spiritual presence of Glasper's younger cousin, Loren, who passed just a few days prior.

The past year has been a pivotal time for women, between #MeToo and social and financial equality, and the lyrics to these songs frame women's contemporary frustrations as civil rights issues. That's important in hip-hop, which has long been dogged by an old-line adherence to misogyny, as it lays claim to the world's most popular genre.

In a spontaneous moment midway through Maimouna Youssef's verse on "Practice," the crowd gushed and you could see the joy in her eyes. Then the ebullient pop icon Brandy reprised Sounds Of Blackness' 1991 classic "Optimistic," and the magic held everyone rapt. Andra Day followed up with "Stand Up for Something"; her powerful voice blew the hinges off the doors.

August Greene's latest single, "Black Kennedy," connotes dreams of an African-American dynasty, the kind only a royal family assumes. The stark contrasts of disenfranchisement are highlighted by every wish expressed. Later, in "Let Go," vocalist and August Greene collaborator Samora Pinderhughes sings of overcoming darkness within yourself and finding hope at the bottom of Pandora's box. It's about releasing the demons so the hands can hold the blessings.

August Greene is what happens when talent embraces intention and humility. This edition of the Tiny Desk inspired me, its audience, and the artists behind the stage. We hope it has the same effect on you.

SET LIST
• "Black Kennedy" (feat. Samora Pinderhughes)

• "Practice" (feat. Maimouna Youssef)

• "Optimistic" (feat. Brandy)

• "Stand Up For Something" (feat. Andra Day)

• "Let Go" (feat. Samora Pinderhughes)

MUSICIANS
Lonnie Rashid Lynn, Robert Glasper, Karriem Riggins, Burniss Travis, Samora Pinderhughes, DJ Dummy, Brandy Norwood, Andra Day, Maimouna Youssef

CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Maia Stern, Kara Frame, CJ Riculan; Production Assistant: Joshua Bote; Photo: Eslah Attar/NPR.

For more Tiny Desk concerts, subscribe to our podcast.

This year's Black History Month celebration at the Tiny Desk features a carefully crafted lineup spanning many genres, generations and walks of life. Each artist represents the best in their class and will be performing at the Tiny Desk for the first time.

Bobby Carter | February 20, 2023
The powerful messages of her music, magnified by the strength of Tamela Mann's vocals, made for a tearful Tiny Desk concert. These were happy tears; eventually, Tamela herself, overcome with emotion, explained how singing her songs helps keep her faith intact. After closing with one of her signature songs, "Take Me to the King," she gave us some parting words of encouragement. "Let's just hold on to faith, hold on to hope, hold on to joy," she said, "because it still exists in our society."

The Fort Worth, Texas, native's calling was evident early in her childhood, wowing the congregation at Holy Tabernacle church by the time she was 12. Her career has since stretched far beyond music. After meeting Tyler Perry in 1999, she and her husband, actor David Mann, became integral to his explosion on the stage, television and film. Faith and family have remained at the helm throughout her decorated career, earning Stellar Awards and a Grammy. Her daughter, Porcia, coordinated their trip to Washington, D.C., while her daughter Tia sang background, and of course, David was in the audience entertaining the crowd before and after the show. It's impossible to tell the history of Black people in America without the gospel, and Tamela Mann represented at NPR headquarters.

SET LIST
"Finished"
"Change Me"
"Take Me to the King"

MUSICIANS
Tamela Mann: vocals
Tia Mann: vocals
Brittany Stevenson: vocals
Deon Yancey: vocals
Patrick Wright: keys
Phillip Bryant: keys
Johshun Griffin: drums
Jamaal Franklin: bass
Aaron Scott: guitar

TINY DESK TEAM
Producer: Bobby Carter
Director: Joshua Bryant
Audio Engineer: Josh Rogosin
Creative Director: Bob Boilen
Videographers: Joshua Bryant, Elizabeth Gillis, Sofia Seidel, Maia Stern
Editor: Sofia Seidel
Audio Assistant: Brian Jarboe
Production Assistant: Jill Britton
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Kara Frame, Ashley Pointer
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #tamelamann

Aug. 15, 2018 | Felix Contreras -- Some folks around the NPR Music office said they felt an almost spiritual connection to Erykah Badu during her visit to the Tiny Desk. And that was before she and her band even played a single note. It came from the waft of earthly scents that followed in her wake, to the flowing dreads and clothes that hung on her like robes.

After her self-introduction, which included a rundown of her spiritual and creative aliases, Badu rolled into one of her earliest musical calling cards, "Rimshot." It's an ode to the sound the percussionist makes when a drumstick is struck against the metal edge of the snare drum. On this performance, as on her 1997 album Baduizm, it becomes a device to play with time — stretching it, stopping it, suspending it. Propelled by jazz chords on the piano and the steady pulse of the acoustic bass, the playful performance unfolded in the tradition of the best bebop.

But the panoramic song "Green Eyes" is the centerpiece of Badu's Tiny Desk performance. It's wide-ranging in scope and musical arrangement and brilliantly executed by the jazz and hip-hop musicians in her backing band. The story of heartbreak is striking enough, but her interpretation showcases her formidable vocal skills. By the time it was over, we were all just as emotionally and spiritually spent as she was from the experience.

Erykah Badu is an artist for the ages. To old-school jazz fans like myself, names like Nina Simone, Betty Carter and Shirley Horn come to mind as much as Billie Holiday because of Badu's singular approach to a lyric. They all cut their own creative path and left behind a legacy that you can identify with just one note. Erykah Badu is on that same path, and one day her name will be mentioned along with the other Elders who share her spirit of musical adventure.

Set List
"Rimshot"
"Green Eyes"

Musicians
Erykah Badu (lead vocals), RC Williams (Keys), Braylon Lacy (bass), Cleon Edwards (Drums), Frank Moka (Percussion), Kenneth Whalum (Sax), Keyon Harrold (Trumpet), Dwayne Kerr (Flute)

Credits
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Maia Stern, Kara Frame, Khun Minn Ohn, CJ Riculan; Production Assistants: Catherine Zhang, Téa Mottolese; Photo: Morgan Noelle Smith/NPR.

NPR Music's Tiny Desk series will celebrate Black History Month by featuring four weeks of Tiny Desk (home) concerts and playlists by Black artists spanning different genres and generations each week. The lineup includes both emerging and established artists who will be performing a Tiny Desk concert for the first time. This celebration highlights the beautiful cornucopia of Black music and our special way of presenting it. We hope you enjoy.

Abby O'Neill | February 16, 2021
Rick Ross’ Tiny Desk takes place in the gallery space of Miami artist Rich B Caliente, The Boss’ longtime collaborator and friend. Even though the MIA street dignitary is now living in Atlanta, Ross insisted that his Tiny Desk (home) concert get captured in the city where his roots are anchored and where he rose to rap stardom.

This Tiny Desk marks just the second time Ross has performed with a live band. On "Super High," from his Teflon Don album, drummer Rashid Williams and bassist Thaddaeus Tribbett lay down the foundation for Ross’ smooth cadence and signature nonchalance. Background singer and Ne-Yo protege Troy Tyler projects the lead vocal lines originally sung by his mentor.

Next, vocalist Elijah Blake steps up on Ross' smash hit "B.M.F. (Blowin’ Money Fast) and “Aston Martin Music.” On the latter, Monty Reynolds drops in with the sparse, yet catchy key melody that made it the contagious hit single it was in 2010.

At one point, Ross pauses between songs to speak on his inspirations. "So many inspired the Boss,” he says. “I could look at any brother on the street and get some inspiration from them, regardless of how many followers you got on social media, regardless of what you're riding in. I could learn something from you. I ain't scared to. Let's make sure we keep building."

SET LIST
"Super High"
"B.M.F. (Blowin' Money Fast)"
"Aston Martin Music"
"I'm Not A Star"
"F*ckwithmeyouknowigotit"
"Tears of Joy"

MUSICIANS
DJ Sam Sneak: DJ, vocals
Thaddaeus Tribbett: bass
Monty Reynolds: keys
Elijah Blake: vocals
Troy Tyler: vocals
Rashid Williams: drums

CREDITS
Video: Bob Metelus, Antwan Reid, Webber Charles, William Graydon, Andres Ramirez, Laz Mendez, Edward Burke, Jorge Torres, Ron Gesualdo, Rich B Caliente
Audio: Joe Liederman, Glenn Wexo, ITLLC
General Manager: Yvette Dávila for Maybach Music Group

TINY DESK TEAM
Producer: Abby O'Neill
Video Producer: Morgan Noelle Smith
Audio Mastering: Josh Rogosin
Art Director: CJ Riculan
Associate Producer: Bobby Carter
Tiny Production Team: Bob Boilen, Kara Frame, Maia Stern
Executive Producer: Lauren Onkey
Senior VP, Programming: Anya Grundmann

NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent.

Ashley Pointer | June 20, 2023
"I had to represent for New Orleans, ya heard me?" Ambré says nearly midway through her Tiny Desk concert before turning to show the back of her spray-painted t-shirt, revealing a classic photo of rapper Juvenile from his Cash Money era.

Everything Ambré does is intricately detailed, intentional and unapologetically New Orleans. The singer-songwriter, producer and multi-instrumentalist creates music that's psychedelic, soulful and takes you on a journey. With her band decked out in Dickies fits and surrounded by magnolias, the rising star invites us into her world for a performance that pays homage to the culture of her hometown and its legends.

Accompanied by a dynamic band composed mostly of Tiny Desk alums, Ambré sets the tone with "3 Peat," from her sophomore EP 3000º. The EP is a salute to NOLA's finest — Lil Wayne and Juvenile, who'll be closing out our Black Music Month celebration. She then smoothly transitions into "Wild Life..." a love letter to the 504 before hitting "plenty" and "band practice" from her debut EP Pulp.

It was only right that she closed out the show with "I'm Baby," perhaps her most beloved track and her first No. 1 entry on the Billboard R&B charts. The recording of this performance couldn't have come at a better time — she found out she was nominated for the BET Awards for Best New Artist right after the shoot, all while gearing up to release her follow-up EP who's loving you?, which is out now. If this Tiny Desk happens to be your introduction to Ambré, be prepared to be enraptured.

SET LIST
"3 Peat"
"Wild Life..."
"plenty"
"band practice"
"AMBRÉ'S INTERLUDE"
"I'm Baby"

MUSICIANS
Ambré: vocals, guitar
Deshaun Allen: music director, drums
Devin Smith: keys
Tim Ramsay: bass
Justus West: guitar
Astyn Turrentine: vocals
Viane Escobar: vocals

TINY DESK TEAM
Producer: Ashley Pointer
Director/Editor: Maia Stern
Audio Engineer: Josh Rogosin
Creative Director: Bob Boilen
Series Producer: Bobby Carter
Videographers: Maia Stern, Joshua Bryant, Kara Frame, Alanté Serene
Audio Assistant: Hannah Gluvna
Photographer: Zayrha Rodriguez
Tiny Desk Team: Suraya Mohamed, Hazel Cills, Sofia Seidel
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#ambre #nprmusic #tinydesk

This year, NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts — both from home and from behind our beloved Desk. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent.

Mitra I. Arthur | June 24, 2022
It's only right to think "New Monica!" when her Tiny Desk (home) concert begins. Surrounded by candlelight, dressed in pink, Monica stands ready to deliver a vibrant vocal masterclass.

With her rich alto, Monica broke onto the music landscape in 1995 with her debut album, Miss Thang. In her class of '90s artists, the singer brought a mature sound, yet still tempered by youth, that made her relatable to audiences of any age who were growing into their own. Monica's albums are grounded in the here and now, the ups and the downs of life and love. For fans, she feels like a longtime friend to root for, not only for her talent, but because her realness is valued — an energy she brings to this performance.

Here Monica and her musicians strip down 2003's "So Gone," allowing a mellow, acoustic guitar to shine alongside the vocals. She shows us that when it comes to any #SoGoneChallenges, the viral challenge that had artists putting their own spin on the song, her original still reigns supreme. She also gives us a teaser of her upcoming single, the collaboration with Ty Dolla $ign "Friends," on which Monica presents a tale of a relationship that doesn't require understanding from anyone on the outside, her soaring and acrobatic voice bending over a declaration of love. And when Monica revisits singles from her debut album, "Why I Love You So Much" and "Before You Walk Out of My Life," in her Tiny Desk (home) concert they resonate on a different, and perhaps deeper, level now.

SET LIST
"Angel of Mine"
"Love All Over Me"
"Why I Love You So Much"
"So Gone"
"Friends"
"Before You Walk Out of My Life"

MUSICIANS
Monica: vocals
Priestly Johnson: vocals
Ashley Minnieweather: vocals
Alexis McKinnon: vocals
Herman "P-Nut" Johnson: drums
Ruben Royster: bass
Adrian Forbes: keys
Dave Maiorino: guitar

CREDITS
Executive Producers: Monica, Melinda Dancil
Associate Producer: Maurio Jackson
Production Coordinator: Rolanje Armstead
Creative Director: Daniel "Baby Yu" Nakayama
Set Designer: Akeem Clayton Designs
Live Audio/Recording Engineer: Joseph Spencer III
Live Audio/Recording Engineer: Tech: Ricky William Horton
Director: JT Colston
Director Of Photography: Sam Aldrich
Digital Photography: Cyndi Brown
Camera Operator: Tara Diiorio

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Michael Zamora
Audio Mastering: Josh Rogosin
Animator: Kaz Fantone
Tiny Production Team: Bob Boilen, Kara Frame, Joshua Bryant, Maia Stern, Ashley Pointer
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#tinydesk #monica #BMM

NPR Music's Tiny Desk series will celebrate Black History Month with Tiny Desk (home) concerts featuring legends in the world of R&B, jazz, gospel, and hip-hop. Each artist in this legacy lineup has helped to define Black music as we know it and will be performing a Tiny Desk concert for the first time.

LaTesha Harris | February 17, 2022
In his Tiny Desk (home) concert, Too $hort asks: "How many artists you know that got relevant records in five decades?" The Oakland rapper answers by performing seven songs from his own discography, showcasing his extensive (yet still underrated) contributions to the growth of hip-hop on the West Coast. The expedition opens on a quiet, reflective note with a performance of $hort's influential 1990 single "The Ghetto" before roaring to life with 1988's "Life Is... Too $hort." From his spot in downtown LA, BoomBox Studios, $hort delivers a dynamic, funk-laden performance, seamlessly cycling through scenes of women-chasing debauchery and politically-minded meditation.

Of course, Too $hort's set list shows off the development of his sound, but it also underscores hip-hop's evolution from a socially polarizing genre to a touchstone of cultural capital. Combined with an enthralling presence of persona, $hort's jaw-dropping lyrics and minimal delivery influenced West Coast peers, like Snoop Dogg and Lil B, and beyond, like Lil Jon and UGK; his career, one of moving cassettes with local independent success to moving multiple platinum albums with national acclaim, established the Bay Area as a credible rapping hotspot, pushing the boundaries of hip-hop. Too $hort honors this history by shouting out his many collaborators over the years and sharing his legacy as a hip-hop titan with a spirited group of musicians – notably Curtis Crump Jr. and Techdizzle who steal the show with, respectively, their sax and drum work on "Gettin' It" and "Blow The Whistle." It's a monumental moment for the Tiny Desk, and for those wondering, there's more than enough of Too $hort's favorite word to celebrate with.

SET LIST
"The Ghetto"
"Life Is ...Too $hort"
"Gettin' It"
"Blow the Whistle"
"Ain't My Girlfriend"
"Big Sexy Thang"
"Big Subwoofer"

MUSICIANS
Too $hort: vocals
Robert L. Mitchell "Techdizzle": music director / drums
Curtis Crump Jr.: keys
Frank Abraham: bass
Ash Jangda: guitar
Maurice Smith: vocals

CREDITS
Recording Engineer: Migui Maloles
Monitor Engineer: Mateo Rodriguez
Mixing Engineer: Zach "Ekzakt" Perry
Directed By: Patrick "Embryo" Tapu
Camera Operator: Bryan Ramos and Robert Teegarden
Editor: Bryan Ramos
Coloring: Bryan Ramos
Gaffer: Mike Nelli
Grip: Jeremy Kemp

TINY DESK TEAM
Producer: Abby O'Neill
Video Producer: Joshua Bryant
Audio Mastering: Josh Rogosin
Tiny Production Team: Bobby Carter, Kara Frame, Maia Stern, Ashley Pointer, Sofie Hernandez-Simeonidis
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#too$hort #tooshort #nprmusic #tinydesk #bhmxnprmusic

NPR Music's Tiny Desk series will celebrate Black History Month with Tiny Desk (home) concerts featuring legends in the world of R&B, jazz, gospel, and hip hop. Each artist in this legacy lineup has helped to define Black music as we know it and will be performing a Tiny Desk concert for the first time.

Bobby Carter | February 4, 2022
Around this time last year, singer-songwriter and R&B royalty El DeBarge took to Instagram to take some requests and play a few hits. "I'd never done anything like that before, and the nerves were showing," he told me. That 23-minute live performance ignited a comeback of sorts, and the greats of today, many of whom he's influenced, wanted to be near him. That video reminded us of his greatness, and stars like Alicia Keys, Fat Joe, and Questlove helped make 2021 a busy year for the torchbearer of the DeBarge moniker. For his Tiny Desk (home) concert, he didn't want to veer far away from what he did on IG, and I quickly concurred. He got together with guitarist, Bennett Walker to play this intimate set of DeBarge classics.

In terms of sheer talent alone, the DeBarge family was arguably on par with the Jacksons at one point. That talent propelled them to the stars in the 1970s and '80s, cranking out hit records and cookout classics. Switch, featuring siblings Bobby and Tommy DeBarge, came first. A couple of years later, the group DeBarge arrived, consisting of siblings James, Bunny, Mark, Randy, and El. Their five albums and El's solo work were a massive part of Motown's success and helped sustain the label in the '80s.

Despite the well-documented odds he's faced over the years, this set feels like a triumph. His voice has aged with grace, and that signature falsetto we've all attempted while singing these songs is perfection here. From his cozy home studio, the Michigan native breezes through a few of his R&B standards, including "All This Love," "Time Will Reveal," "Love Me In A Special Way," and in honor of Black History Month, he reworks "A Dream" as a dedication to the Rev. Dr. Martin Luther King Jr.

SET LIST
All This Love
Time Will Reveal
A Dream (Dedication to Dr. Martin Luther King Jr.)
Love Me In A Special Way

MUSICIANS
El DeBarge: vocals, keys
Bennett Walker: guitar

CREDITS
Video: Stephen Clay and Declan Osborne
Audio: Bennett Walker

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Joshua Bryant
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Kara Frame, Maia Stern, Sofie Hernandez-Simeonidis, Ashley Pointer
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#eldebarge #nprmusic #tinydesk #bhmxnprmusic

This year, NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts — both from home and from behind our beloved Desk. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent.

Suraya Mohamed | June 23, 2022
Almost 30 musicians, choir members and staff of the contemporary worship music collective Maverick City Music entered the NPR lobby and crowded the security desk to undergo COVID protocols. Even through the dull process of checking vaccination cards and test results, there was a real feeling of excitement for what was about to happen.

Some of the choir members were eager not only for the upcoming Tiny Desk concert but for later that evening, when they were scheduled to perform at a sold-out 20,000-seat arena nearby. A few of them had only previously performed with Maverick City Music in small venues and couldn't wait to move from the Tiny Desk to a big stage. Once upstairs, the group's enthusiasm grew during the set up and sound check. Even the NPR production staff was buzzing because we had not recorded such a large ensemble in our office in more than two years.

Once the performance started, Maverick City Music did what it always does. The members of the group became one voice, sharing beautiful music and spreading the good word with messages of hope, change and love. The group describes itself as a megaphone for a community of creatives that has been pushed to the margins of the industry of church music. Even for those who aren't fans of gospel music or for those who don't believe, it is possible to still find appreciation in this music's comforting and uplifting sound.

Most of the songs performed here are from the collective's new album, Kingdom Book One, which was produced in collaboration with gospel legend Kirk Franklin. It was a blessing to watch him perform here alongside talented vocalists Naomi Raine and Chandler Moore on the last song, "Kingdom."

SET LIST
"Man of Your Word"
"Million Little Miracles"
"Jireh"
"Kingdom" (feat. Kirk Franklin)

MUSICIANS
Chandler Moore: vocals
Brandon Lake: vocals
Naomi Raine: vocals
Kirk Franklin: vocals, keys
Harold Brown: MD/drums
Sam Simon: keys
Matt Ramsey: bass
Elijah Kaiween: guitar
Jason McGee: vocals/choir director
Ashley Perry: vocals
Audrey Oquaye: vocals
Antonio Drakes: vocals
Cameron Williams: vocals
Jelani Caldwell: vocals
Maraya Stewart: vocals
Pierina Santa Maria: vocals
Tabitha Harris: vocals
Victoria Fitzgerald: vocals

TINY DESK TEAM
Producer: Bobby Carter
Audio Recording & Mix Engineer: Josh Rogosin
Director: Kara Frame
Editor: Josh Bryant
Series Creator: Bob Boilen
Videographers: Kara Frame, Josh Bryant, Michael Zamora, Pierre Kattar, Alanté Serene
Production Assistant: Ashley Pointer
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Jill Britton, Joby Tanseco, Maia Stern
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#tinydesk #BMM #maverickcitymusic

NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent.

Sidney Madden | June 22, 2023
“I think we’re in the groove now,” Amaarae laughs to her bandmates midway through her Tiny Desk concert. As one of the few breaks she takes in a 20-minute set, the singer-songwriter uses this pause to check the energy and drip of her musical consiglieres. While Amaarae and her soprano command attention in a distressed, rust-colored trench and corset top, the 11-piece band compliment their star by rocking t-shirts of the same color palette embroidered with standout lyrics from the songs she’s performing; “See my essence, feel my blessings,” “Wasted eyes on you”, “I like coffee with some head in the morning.”

It's this level of intention, precision and playfulness that has gotten the Ghanaian-American artist to her Tiny Desk moment. As a writer, her searing wordplay beckons with confidence that’s cooler than the other side of the pillow. As a producer, her ear for opposites-attract rhythms create singular moments on any chart they grace. As a Tiny Desk performer, the sunny, juicy jam of “Big Steppa,” acoustic imagining of “Disguise” and extended jubilance of “SAD GIRLZ LUV MONEY” are anchored by Amaarae’s knowledge that she’s serving up something so forward-facing, it’s incomparable.

Born in the Bronx but hailing from Accra, Ghana, Amaarae’s appearance on NPR Music’s Black Music Month lineup proves how far the sounds of West Africa have stretched to influence the U.S. and, more implicitly, just how much the music defies catch-all labels like ‘Afrobeats.’ Fountain Baby, the album that’s home to most of the songs Amaarae performs at the Desk, represents what she does best. While it may be categorized as “pop” by streaming services, as an experience, Fountain Baby is an overflowing stream of genre-swerving liquid dopamine, lulling and surprising its listener in waves. Pulling influence from a grab bag of global incantations, Amaarae makes African percussion flirt with baile funk and alté, pop punk and garage, resulting in one of most triumphant albums and Tiny Desk Concerts of 2023 so far.


SET LIST
“Reckless & Sweet”
“Wasted Eyes”
“Disguise”
“Big Steppa”
“Co-Star”
“HELLZ ANGEL”
“SAD GIRLZ LUV MONEY”

MUSICIANS
Amaarae: vocals
KZDidIt: arrangement, percussion
Kyu Steed: arrangement, vocals, shaker
Tom Levesque: trumpet
Alex Goldblatt: guitar
Braxton Cook: saxophone
Amber Nicole: backing vocals
Dominique Abrams: backing vocals

The Compozers
Nana Pokes: bass
Charlie Biggz: 1st keyboard
David Melodee: 2nd keyboard
Stephen Asamoah-Duah: drums

TINY DESK TEAM
Producer: Sidney Madden
Director/Editor: Kara Frame
Audio Engineer: Josh Rogosin
Creative Director: Bob Boilen
Series Producer: Bobby Carter
Videographers: Kara Frame, Maia Stern, Joshua Bryant, Sofia Seidel
Production Assistant: Ashley Pointer
Photographer: Michael Zamora
Tiny Desk Team: Suraya Mohamed, Hazel Cills
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#tinydesk #blackmusicmonth #amaarae

NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent.

Bobby Carter | June 5, 2023
Charlie Wilson's Tiny Desk unexpectedly ran the gamut of emotions. His musical journey boasts some of the highest highs and fanfare for over 50 years. So much so, it's easy to forget what he's endured. His testimonial during a praise break reminded us that he's climbed through valleys about as deep as they get. "I went from rags to riches, riches to rags, then rags to the curb, the curb to homeless," he said. "Because I was an alcoholic and a crack cocaine addict! But I'm 28 years clean and sober!"

Flanked by a host of musicians, Wilson expressed the depth and breadth of his life and career, telling a tale of two Charlies. The Oklahoma native's success with The Gap Band, formed with his brothers Robert and Ronnie, began in the 1970s and stretched throughout the '80s. The group's many hits are classified as old-school funk and R&B, but it's the resurrection and connection with young hip-hop stars that make Charlie's story so compelling to me.

Snoop Dogg was the first to hop on board, coining him "Uncle Charlie" and featuring him on his second LP, Tha Doggfather in 1996. They've been frequent collaborators since, eventually landing the smash, "Beautiful," a few years later. From Kanye West to Tyler, The Creator, Nas, and more recently Don Toliver and Devin Morrison, Wilson has been hip-hop's secret sauce for decades. When I asked Uncle Charlie to explain the reason why he's such a draw in hip-hop, he said so much by simply stating: "I can sang!"

SET LIST
"Charlie, Last Name Wilson"
"Computer Love"
"There Goes My Baby"
"I'm Blessed"
"Yearning For Your Love"
"Sweet Yamz"
"Outstanding"

MUSICIANS
Charlie Wilson: vocals
Jor'el Quinn: vocals
Leah Thompson: vocals
Gia Wyre: vocals
Dodie: vocals
Angel Hines: vocals
Cordell Walton: keys, music director
Rain Man: drums
Alex Williams: guitar
Stephen Johnson: keys
Lawrence Washington: keys, bass
EQ: bass
Nick Wilczynski: saxophone

TINY DESK TEAM
Producer: Bobby Carter
Director/Editor: Joshua Bryant
Audio Engineer: Josh Rogosin
Creative Director: Bob Boilen
Videographers: Joshua Bryant, Kara Frame, Sofia Seidel, Alanté Serene
Audio Assistant: Hannah Gluvna
Production Assistant: Ashley Pointer
Tiny Desk Team: Suraya Mohamed, Maia Stern, Hazel Cills
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#tinydesk #nprmusic #charliewilson

NPR Music's Tiny Desk series will celebrate Black History Month with Tiny Desk (home) concerts featuring legends in the world of R&B, jazz, gospel, and hip-hop. Each artist in this legacy lineup has helped to define Black music as we know it and will be performing a Tiny Desk concert for the first time.

Bobby Carter | February 23, 2022
The first song in Patti LaBelle's Tiny Desk (home) concert sets the tone and quickly sums up the entire 15-minute performance. "Something Special (Is Gonna Happen Tonight)" from her 1986 album Winner In You is a highlight from one of many chapters in her fabulous career. A backstage corner of a concert hall in Austin, Texas, is transformed into Patti's world, furnished with a throne, flowers and trunks full of shoes. Options are a must, given a knack for kicking off her shoes during shows. The entire band managed to fit onto the set: thirteen people, including fierce background vocals, keys, horns and more, to recreate some of the best from the Godmother of Soul.

LaBelle and company go straight into hits mode after the first number. "Love, Need and Want You" is delivered with the same vibrancy as the 1983 original, with a wink to another hit, "Dilemma," by Nelly, who sampled it 19 years later. The ballads continue with "If Only You Knew." She closes with the anthem "Lady Marmalade," which was also revived in the early 2000s by Christina Aguilera, Mya, Pink and Lil' Kim.

Ms. Patti had already made Black History with Cindy Birdsong, Sara Dash and Nona Hendryx as the powerhouse group Patti LaBelle and the Bluebelles (later Labelle). After the group disbanded, she forged through on her own as a pioneer in music, style and entrepreneurship. Sixty years and counting. Whether big stage or Tiny Desk, the standard-bearing icon continues to exude elegance and grace as a performer.

SET LIST
"Something Special (Is Gonna Happen Tonight)"
"Love, Need and Want You"
"If Only You Knew"
"Lady Marmalade"

MUSICIANS
Patti LaBelle: vocals
Stan Lewis: keys/music director
Danny Nixon: keys
Daryl Robertson: keys
Eric Seats: drums
Alex Evans: bass
Eric Dubose: guitar
Jeff Bradshaw: trombone
Melvin Jones: trumpet
Michael Burton: saxophone
Debra Henry Ramsey: vocals
Brenda Roy: Background vocals
Anthony Williams Jr: vocals
Aja Marie Grant: vocals

CREDITS
Video Director: Whitney Thomas
Audio Engineer: Dwayne Jones
Recording Engineer: Brandon Snell
Management: Zuri Edwards
Production Manager: Joe Falcon
Road Manager: Pamela Hobson
Guitar Tech: Alfonso Perez
Backline Tech: Gabriel Santana Falcon, GearHeadz Inc.
Technical Director: Blake Addyson

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Joshua Bryant
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Kara Frame, Maia Stern, Ashley Pointer, Sofie Hernandez-Simeonidis
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann